Re-cap of May in Manchester - Part 1

Well we had a fun packed few days in Manchester in May.

To kick things off, we took part in the Pairings conference organised by MIRIAD at Manchester Metropolitan University (MMU): The conference explored the three themes of Conversation, Collaboration and Material. On Thursday, I spent a wonderful morning in the embroidery machine room at MMU recording sounds of students and staff working on various machines. The machine room is such a fantastic resource that should continue to be cherished and developed. A huge thank you to Jill, Ben and Laura for helping out playing the machines.

I then took time to sample and loop extracts of the recordings. The plan was to include these sounds in our performance. We gave a 30 minute live performance on the Friday evening to mark the end of the two day conference. Four members of the collective worked together: Jason Singh, Yusra Warsama, Berit Greinke and myself.
We wanted to create an improvised piece based on the themes of the conference:"conversation, collaboration and material", so we could present a live piece that was a collaborative conversation between the four of us through using voices, analogue and digital machines, needles, threads, microphones, samplers and loop pedals, and physical material such as cloth. The themes also gave us the idea of exploring threes (even though the conference title was Pairings! and there were four of us.)
I've been re-reading Walden by Henry David Thoreau recently, and in one of the chapters he talks about three chairs. He says that one chair is for solitude, two chairs are for friendship and three chairs are for society. Thoreau's quote seemed a perfect way of summing up the nature of different people meeting in different contexts and some of the potential strengths and difficulties of collaboration. We used the quote from Walden as the start of the performance. So at different points throughout the performance there are single conversations, two people conversing and three or more. We start and end with the solitude of one.

You can listen to the performance on our soundcloud page here: http://soundcloud.com/sampler-culture-clash

Thank you to Alice, Helen and everyone at Miriad and MMU for inviting us to take part, for making the conference a great success and for helping to make the performance happen.

May in Manchester

During May, we'll be camped down in Manchester for various collaborations, workshops and performances.

First off, Jason Singh and I will be working with a group of textile students from Manchester Metropolitan University (MMU) on a collaborative sound project.

Next up, also at MMU, we'll be performing as part of the Pairings conference: conversations, collaborations and materials. The conference is on Thursday 12 and Friday 13th. All being well, we'll be doing an improvised performance at 5pm on the Friday as part of the finale to the two days. You can find out more info on the conference and how to book tickets here: Pairings.

The next day, Sat. 14th May, we'll be taking part in Handmade at the wonderful Victoria Baths as part of FutureEverything. There will be sixteen stalls all exploring how crafting, hacking and DIY are informing the development of digital technology. Please come down, see what people are up to and take part in our collaborative paper stylophone orchestra experiment.

Hope to see you at anyone of these events.

Textile Music

In December last year I was very kindly invited by Becky Earley to take part in the University of the Arts, London's Textile Futures Research Centre's event Textile Music. You can find out more about the Centre's previous and current research by clicking on the link above.

I was asked to run a short one hour workshop with various members of the research group, exploring the question "what does our research sound like?" and to put together and play a DJ set of music referencing textiles and textile related words. Songs and band names were suggested by members of the group, some of my friends, and members of the sampler-cultureclash facebook group. This included traditional songs, songs sung whilst making textiles and, well anything connected to textiles, such as the theme tune to the TV series "Are You Being Served". You can listen to a selection of the songs via my you tube page: It's eclectic to say the least!
Textile Songs

My favourite was "anything by Fred Astaire"!! thank you Mr Gates for that one!
Please feel free to add suggestions. There's a page on the sampler-cultureclash facebook group in discussions.

My personal interest is traditional textile songs from Lancashire, where I grew up, which I've been researching over the last few months. Many of which I've discovered via the English Folk Dance and Song Society's amazing library and archive at Cecil Sharpe House in Camden, London.

For the workshop, participants discussed and explored the Centre's four themes:
1. Design-Science Textiles
2. Digital Textiles
3. Sustainable Textiles
4. Identity; Reflection

They then came together to create a new collective pixel drawing inspired by these discussions. In the evening the pixel drawing was played back through the piano player as a whole piece, and then played again this time sampling and looping sections using a loop pedal over the top of various drum breaks to create a new improvised piece of music. The "performance" was filmed so I'll post it when it's ready.

In the meantime, here's the piece in full


and here's a sound recording of the piece played in reverse, which I actually prefer.


I'll be experimenting with the piece, sampling and looping sections to see what else I can create from it.

A huge thanks to Becky and everyone at the TFRC for inviting me to take part and to everyone who suggested music and songs, in particular Helen Carnec, David Gates, Mark Alder, and Deirdre Nelson.

Nottingham Lace Part IV

As promised here's a short film comprising looped samples of sound recordings of various embroidery machines in action during the workshop. I've just used a simple audio visualiser to turn the sounds back into visuals. I particularly like the looped section where the machine starts to sound like a human breath. I'd advise listening with headphones to get the full range of sounds.
warning: the film contains repeated flashing images.

Nottingham Lace Part III

In the afternoon session of the workshop we camped down in the University's fantastic embroidery workshop, which is packed full of all manner of wonderful embroidery machines, from the hand and foot operated to the latest digital technology. The purpose of the session was to translate elements of the work we created in the morning into embroidered samples. To record the sounds that the machines made as we created each piece. For many people it was the first time they'd worked with several of the machines, so it was interesting to see how people threw themselves into that opportunity, grappling with each machine and learning about what was possible.







I'll post a sample of sounds in the next update.

I'd like to thank Katherine and Tom for inviting me up to Nottingham, and to everyone who took part in the day; for bringing such a wonderful selection of objects, sharing their stories and their imaginations and for throwing themselves into the workshop with such enthusiasm. I'm very much looking forward to seeing what we can do next with some of the ideas, work and connections we started.

Nottingham Lace - part II

Just before the afternoon session, we created another collective pixel drawing piece. Each person drew an element of their object, in pixel form, on the roll of graph paper, and within a time limit of 2 minutes. They then moved round to the next drawing and continued to add another element from their object to that existing drawing. This continued until each person had contributed to each drawing. The result was one collective piece, comprising of thirteen collectively made drawings.







The idea was then to take a sample of this and re-create it with the digital embroidery machine, turning the drawing into a new embroidered piece, and taking the hand made into the machine and the digital. And to take sound recordings of the machine creating the piece.

Here's a short video of the digital embroidery machine previewing how the piece will be created, turning the drawing into an animation of process.


And here's a video comprising extracts of the piece being created. I love the fact that at some points the machine is creating sections in 4/4 time, the tempo increasing or decreasing depending on the length of stitch.



A huge thanks to Tessa for all her expertise and assistance helping us to translate and create this piece.

Nottingham Lace - part 1

As a result of taking part in the Interlace conference in Nottingham, at the end of last year I was very kindly invited to run a one day workshop with the Centre for Advanced Textiles Research Group at Nottingham and Trent University.

The idea was to create a space where academic staff, technicians, and students could take time out from their usual daily responsibilities and routines in order to share, to create new work together and I hoped have some fun along the way too.

Given the importance of textiles to Nottingham, particularly the lace industry, I asked each participant to bring along a textile object related to the city. We had a fantastic selection of objects, including parts of a lace machine, wages ledgers, note books from a hand-frame knitter, a bearded needle, images of possibly the last Schiffli machine in production in Nottinghamshire, photos of closed lace centres and soon to be demolished factories and buildings, place names, pieces of lace and cloth made in Nottingham (several by participants), punch tapes, technical drawings and nursery rhymes about lace making.







As we talked about each object, several recurring themes came to the surface. Change, closure and loss featured heavily: mourning the decline of an industry, of old machines and buildings, the recognition of changes in industrial textile processes and the re-location of production and what that means to a place and its people. But also there was a great sense of joy and pride in the city, in technology, in the architecture of industry and commerce, in technological development, in the processes of making, and in the lives, skills and knowledge of the people involved in cloth production. And perhaps most of all the power of textiles to connect different people.

Following the format of previous sampler-cultureclash workshops, to get people to start working together, we then created a series of collective written pieces. Each person wrote a sentence about their object, then passed it onto the next person. That person then wrote another sentence about their object, using the last word of the previous sentence as the first word. This process continued until everyone had contributed to each piece. We recorded each poem, through the spoken word and song, hence turning the written word into sound.



Then, each person selected a word from their collective poem and drew this in pixel form onto a strip of grid paper and punched out holes so we could play it through a piano-player.



Here's a sample of my favourite sections. Each section has been looped in order to introduce repetition.



And here's one of the poems read by Tom Fisher combined with a looped sample from the pixel drawing piano-player piece. I love the way that Tom brings a series of seemingly disconnected lines alive through the rhythm in his reading. In thirteen lines this piece manages to encapsulate many of the themes we'd discussed earlier in the day, whilst also taking us into the realms of fantasy: will we ever discover what the needle was hiding behind its beard?


In the next post I'll cover the afternoon session of the workshop, where we camped down in the embroidery machine workshop; making, playing, and recording stitches, machines and sounds.